Rio

2011

Adventure / Animation / Comedy / Family / Musical

Synopsis


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Cast

as Mother Bird
as Truck Driver
as Young Linda
as Linda
720p.BLURAY 1080p.BLURAY 3D.BLURAY
757.54 MB
1280*720
English
G
23.976
01 hr 36 min
P/S 6 / 127
1.45 GB
1920*1080
English
G
23.976
01 hr 36 min
P/S 11 / 36
1.40 GB
1920*1080
English
G
23.976
01 hr 36 min
P/S 1 / 2

Movie Reviews

Reviewed by lnery 10 / 10

Location, location, location. It's Rio!

"Oh, how wish I was back in my cage, with my mirror, and my little bell"

Jesse Eisenberg should be forever grateful that the Oscar-nominated "The Social Network" was released before Rio. That's because his voice as Blu, the macaw, is so distinctive and perfect, that in my mind he will always be Blu. And if Rio had been released months ago, audiences worldwide would think that Mark Zuckerberg, the Facebook founder, missed his cage, mirror and little bell.

Now, for the movie itself?

Location, location, location. Because what's Rio, the movie, without (pulsating, colorful, exuberant, romantic) Rio, the city? The story is delightful, though predictable. The characters are cardboard, even if 3D and feathery. But "predictable" and "cardboard" are the worst adjectives I could possibly link to Rio. The Rio deal, is that I laughed all the way through it, like everybody else in the theater.

Blu, the last male of his kind, is the happiest macaw, out there in a snowy town with Linda, his nerdy owner. Jewel, the last female of her kind, lives in Brazil, and is the saddest macaw, imprisoned in a cage and fighting for her freedom. She's a free-spirited soul, with the world at her feet. Blu has lived a sheltered life, can't fly, and loves every minute of it. What happens when they meet? Anyone above the age of 7 can guess how it ends (age 5 if he's seen the trailer). But there's so much delight from the first minute to the last, that you don't want it to end.

I was one of the lucky few to watch the premiere of Rio in Rio, and at this point I can hardly wait to see it again. A Brazilian, Carlos Saldanha, directed the movie, and it shows. The details of the city are all there, but so is the big picture (you know, everything that really matters, along with wide panoramas of Rio by night, of a crowded beach, of a sunset in the cable cars of Santa Teresa).

Lots of AMAZING aerial views in the action scenes. The main characters are birds, thus flying should be expected. Many of those places showed in the movie can be visited by tourists.

Rio doesn't have the depth of stories such as Toy Story or Up. It is a simpler plot. It is, however, pure fun from start to finish, and visually stunning. Location, location, location. As a native of Rio, I could recognize most places, and was stunned with how realistic were the slums, and how the geography of the city, especially the mountains, could be so painstakingly reproduced.

The movie is not a musical, but it comes close to it. There's funk, bossa nova, a few clich?s of Brazilian music and even samba sang in English (still conflicted about it!).

There is also the portrayal of animal trafficking, a centuries-old problem in Brazil, and the subplot of a boy who lives on the streets and must resort to petty crime, which adds up to a much-needed social commentary.

By all means, don't miss this movie!

Reviewed by TheLittleSongbird 10 / 10

My favourite movie of the year so far

That in mind, there is more of 2011 I have yet to see, hence the so far bit, but I absolutely loved this movie after seeing it when it came out today. From the trailers and advertising it looked like a bright, breezy and entertaining animation, and in my mind it was much more than that. And I genuinely mean it when I say it is my favourite of the year so far, even surpassing the outstanding(if somewhat misunderstood) Rango.

What I loved most about Rio was its energy. Rio for me has more energy than any of the Ice Age(from the same team) movies, and its energy is truly infectious at that. Two reasons especially make it so. One is the writing, I wasn't expecting the writing to be this sharp, funny and witty, looking at some of the previous work the writer has penned, while the jokes are plentiful and come by thick and fast. The other is the soundtrack. It has a huge amount of authentic Brazilian flavour and just ripples with zest. I loved the samba and bossa nova rhythms that pulsate throughout, and further fun is to be had in the Busby Berkeley-style beginning and the truly spectacular Carnaeval finale.

The story isn't perhaps original, nor did it need to be, but it is fast-paced, with many entertaining scenes and is very rarely predictable. There is also the obligatory life lessons here which are seamlessly blended without feeling shoe-horned in or preachy. I loved the characters too. Blu is very endearing, and voiced brilliantly by The Social Network's Jesse Eisenberg. Jewel is a lovely love interest, and her chemistry with Blu is ceaselessly entertaining and cute. Anne Hathaway previously voiced Haru on the English dub of The Cat Returns. She did a fine job on that, but in Rio she is even better, more understated and less shrill. I equally loved the villainous cockatoo Nigel(who avoids being a caricature and the like and voiced phenomonally by Jermaine Clement) and the constantly drooling bull-dog.

Other than the above components, what also made Rio was its animation, which is simply stupendous. I haven't seen an animated movie in a long while(and I am a huge fan of animation) where the colours in particular are so rich and warm. The characters are also beautifully modelled especially the titular character Blu, and this includes the secondary characters as well, and the sceneries and backgrounds are breathtaking with such a refreshing richness and warmth. In conclusion, a wonderful animated film and my favourite of the year so far. 10/10 Bethany Cox

Reviewed by moviexclusive 9 / 10

Bursting with infectious energy and verve from music to colour to spectacle, this is one heck of a party you'd be a cuckoo to miss!

The makers of "Ice Age" have decided to take a vacation from the cold and literally venture into warmer- much warmer- territory. Indeed, after three consecutive outings through sub-zero temperatures, director Carlos Saldanha has set his sights on the tropical city of Rio de Janeiro- also the second largest city of Brazil- where summer temperatures often hit a sizzling 40 ?C. And what a wondrous source of inspiration this sojourn has been for the Brazilian-born Saldanha, whose "Rio" bursts forth from the screen with unparalleled colour, imagination and sheer energy.

Saldanha wants you to know that he is in Rio to have a party, so right from the beginning, all manner of feathered creatures of different sizes, colours and species welcome a new dawn in the lush tropical rainforest with a boisterous acrobatic sequence, set to the infectious beat of the legendary Sergio Mendes (who serves as executive music producer here). Among the greenery is the birthplace of our protagonist, Blu (Jesse Eisenberg), an exotic blue macaw who is subsequently taken out of his nest and domesticated by a local bookshop owner Linda (Leslie Mann) in the snowy Minnesota town of Moose Lake.

A visiting ornithologist from Rio, Tulio, offers a quick and convenient excuse for Blu to return to his native land- the last male of his species, he is needed to mate with a feisty female called Jewel (Anne Hathaway) for the continuity of his kind. Jewel, on the other hand, is only intent on escaping her captivity, but things get complicated when she and Blu are abducted from Tulio's lab by smugglers and chained to each other. By sheer luck and some ingenuity, they manage to escape, and spend the rest of the time trying to cut themselves free from each other, while evading capture by the bad guys and their evil cockatoo Nigel (Flight of the Conchords' Jermaine Clement).

Staying true to formula, Blu and Jewel will bicker like the typical mismatched couple at the beginning, only to fall in love with each other by the end. Predictable though the journey may be, veteran screenwriter Don Rhymer makes the journey a pure delight every step of the way with great supporting characters, witty lines and hilarious scenarios. Not often do we find all three in equal measure within a movie, but "Rio" is a perfect example of the laugh-out-loud hilarity that ensues when these three elements come together so beautifully.

A tram ride up the slopes of Rio is turned into a matchmaking opportunity by Blu and Jewel's three travel companions- a Toucan named Rafael (George Lopez) and two wisecracking birds Pedro and Nico (will.i.am and Jamie Foxx)- as Rafael dispenses love advice to Blu while Pedro strums across the wires of a tram like a guitar and Nico croons a romantic tune. "Tell her you have beautiful eyes!" Rafael whispers to Blu, to which Blu turns to Jewel and says "Did you know that I have beautiful eyes?"

Rhymer also saves some of the best lines of the movie for Nigel. An uproarious song-and-dance item where he gets to introduce the depth of his villainy to his audience sees him prancing pompously around caged birds cowering in their cages singing lines like "like an abandoned school, I have no principal". And when recruiting a bunch of thieving monkeys as his henchmen to search for Blu and Jewel, Nigel warns them in a dead-serious tone, "no more monkey business".

Of course, these lines are only as good as the voice cast delivering them, and thankfully then, the cast Saldanha has assembled here is outstanding. Eisenberg oozes apprehension and trepidation with every line as the cowardly dork, Hathaway packs gusto as the spunky foil against Eisenberg, will.i.am and Foxx have perfect comic timing playing off each other's lines, and Clement chews up his great one-liners with menacing glee (you may be keen to know that he also co-wrote the song "Pretty Bird" above). Their chemistry is palpable from start to finish, and their exchanges throughout the film are nothing less than spirited and lively.

But a lot of the energy in "Rio" is visual, courtesy of Saldanha's eye for detail and aptitude for action. The animation of each one of the characters, lead or supporting or even extra, is exceptional, their respective characteristics distinctive and inspired. The colours- unlike the duller, wintry landscapes of "Ice Age"- are dazzling and vibrant. And most of all, the action sequences best appreciated in 3D- a flight over Rio with a panoramic view of Guanbara Bay, a narrow escape over the rooftops of the favelas, and the climactic finale through the crowds at the city's annual Carnivale festival- explode with vigour and verve reminiscent of that in the city's signature samba music, whose Latin rhythms add generously to the film's oomph.

That oomph is simply part of the party that Saldanha invites you to be part of from beginning to end, and "Rio" has every bit of the infectious sounds of the drumbeats, the colours of the sequins, feathers and headdresses, and the energy of the performers in the city's most famous annual party festival. Yes, for those of us who probably can't afford to take that Singapore Airlines flight down to Brazil, this is the closest you'll get to soak in the sights and sounds of that lively city. The best part of it all? It's a party the whole family will enjoy.

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